JRACRAFT WEEK: SYMPOSIUM AND AWARDS

OCTOBER 30 | 2PM - 3:30PM ET
FREE AND OPEN TO THE PUBLIC
​VIRTUAL EVENT

Once every other year, the Masters of the Medium award recognizes artists for excellence in their body of work in the five craft mediums of ceramics, fiber, glass, metal and wood.​

Masters of the Medium

• Demonstrate excellence in craftsmanship
• Influence the designated medium
• Contribute to the craft field ​

Join us October 30 at 2pm eastern in this free online event to celebrate the lives, work, and influence of our 2021 Masters of the Medium: David Harper Clemons, Sergei Isupov, Wendy Maruyama, Preston Singletary, and Consuelo Jimenez Underwood. The awardees will discuss their inspirations, influences, and the artworks that have defined their careers in this engaging presentation.

Click below to register for the Symposium & Awards or to take out a congratulatory listing in honor of one or more of the Masters of the Medium.
​

REGISTER FOR THE SYMPOSIUM & AWARDS

david harper clemons

David was born in El Paso, Texas and spent much of his life in Austin, Texas.  Initially he began his undergraduate career attending Tulane University in New Orleans, Louisiana, pursuing a degree program for Biology Art.  He attended the program for two years before returning to Austin to complete his BFA at the University of Texas in Austin, with a primary emphasis in painting. He earned his MFA in Metalsmithing in 2007 from San Diego State University. David taught in the art department at the University of Arkansas in Little Rock, Arkansas for 10 years. During 8 of those years he was responsible for creating and heading the Metalsmithing and Jewelry Department. In 2018 he relocated to Penland, North Carolina to dedicate his time to be an independent artist and workshop instructor.  Much of his work embraces the craft of Metalsmithing and it’s collected history of techniques and objects. The resulting works rendered in metal, mixed media, and hand made artist books are vehicles to communicate ideas surrounding identity, narrative, and forays into material and process-based work.  He has exhibited in numerous exhibitions including: Craft in America: Expanding Traditions, Different Tempers: Jewelry & Blacksmithing, RE/ACTIONS, and has work in the permanent collection of the Arkansas Art Center in Little Rock, National Ornamental Metal Museum. Yale Contemporary Craft Museum, Ollie Trout Collection at the University of Texas in Austin. ​

​sergei isupov

​Sergei Isupov is an Estonian-American sculptor internationally known for his highly detailed, narrative works. Isupov explores painterly figure-ground relationships, creating surreal sculptures with a complex artistic vocabulary that combines two- and three-dimensional narratives and animal/human hybrids. He works in ceramic using traditional hand building and sculpting techniques to combine surface and form with narrative painting using stains and clear glaze.  Isupov has a long international resume with work included in numerous collections and exhibitions, including the National Gallery of Australia, Museum of Fine Arts, Houston (TX), Museum of Arts and Design (NY), Racine Art Museum (WI), Museum of Fine Arts Boston (MA), and the Erie Art Museum (PA), at which he presented selected works in a 20-year career survey Hidden Messages in 2017 and Surreal Promenade in 2019 at the Russian Museum of Art (MN). In addition to be being a working artist Isupov teaches workshops and lectures internationally at conferences, universities, museums and art centers. Important to his career have been the short and long-term artist residences at Archie Bray Foundation (Helena, MT), The International Ceramics Studio (Kecskemét, Hungary), and Guldagergaard International Ceramic Research Center (Skælskør, Denmark). ​

​wendy maruyama

Furniture maker, artist and educator Wendy Maruyama has been making innovative work for 40 years. While her early work combined ideologies of feminism and traditional craft objects, her newer work moves beyond the boundaries of traditional studio craft and into the realm of social practice. Contemporary bodies of work focuses public attention on wildlife poaching, and commentary as her experience as a Japanese-American. Maruyama is one of the first two women to receive a Masters of Fine Arts in Furniture Design at the Rochester Institute of Technology, NY and has been a professor of woodworking and furniture design for over thirty years, serving as the head of the Furniture Design department at San Diego State University. Her work can be found in the collections of Renwick Gallery of the Smithsonian Museum, Los Angeles County Museum of Art, Dallas Art Museum, Victoria and Albert Museum, Museum of Fine Arts, Houston, Queen Victoria Museum and Art Gallery, Museum of Fine Arts, Boston, Philadelphia Museum of Art, Museum of Craft and Design, Mint Museum of Art, Fuller Craft Museum, and more. 

​preston singletary

The art of Preston Singletary has become synonymous with the relationship between European glass blowing traditions and Northwest Native art. His artworks feature themes of transformation, animal spirits and shamanism through elegant blown glass forms and mystical sand carved Tlingit designs. Singletary learned the art of glass blowing by working with artists in the Seattle area including Benjamin Moore and Dante Marioni. As a student and assistant, he initially focused on mastering the techniques of the European tradition. His work took him to Kosta Boda (Sweden) where he studied Scandinavian design and met his future wife. Throughout his 30+ years of glass blowing experience, he has also had opportunities to learn the secrets of the Venetian glass masters by working with Italian legends Lino Tagliapietra, Cecco Ongaro, and Pino Signoretto. In 2010, he was awarded an honorary Doctor of Arts degree from the University of Puget Sound. Recognized internationally, Singletary’s artworks are included in museum collections such as The British Museum (London, UK), The Museum of Fine Arts (Boston, MA), The Seattle Art Museum (Seattle WA), the Corning Museum of Glass (Corning, NY), the Mint Museum of Art and Design (Charlotte, NC), the Heard Museum (Phoenix,  AZ), and the Smithsonian Institution (Washington, DC).

consuelo jimenez underwood

Consuelo Jimenez Underwood was born in Sacramento, California, the daughter of migrant agricultural workers, a Chicano mother and a father of Huichol Indian descent. Crossing borders and negotiating between three perspectives has always been fundamental to her identity and the basis of her creative process. Consuelo’s work ranges from delicate miniature tapestries to monumental fiber and mixed media installations juxtaposing the natural beauty and ecological destruction along the US/Mexico border. Consuelo has exhibited and lectured nationally and internationally for more than twenty-five years. Her work is part of the permanent collections of museums such as the Smithsonian American Museum of Art, Museum of Art & Design in New York, the National Hispanic Center for the Arts, New Mexico, the Mexican Museum in San Francisco and the Oakland Museum of California. She was awarded the 2017 Master Artist Grant from the National Association of Latino Arts and Culture and was elected to the Council of Fellows of the American Craft Council in 2018. Consuelo received her BA and MA from San Diego State University. She began teaching fiber art at San Jose State University in 1987, where she received her MFA. For more than twenty years, Underwood worked to develop a vibrant fiber program, and inspire young artists to embrace thread.

REGISTER FOR THE SYMPOSIUM & AWARDS